PrettyInScarlett

Quite a long-time fan of Ólafur Arnalds, I was pretty excited to get tickets for his 11th March concert at the Barbican Centre with the Britten Sinfonia . Definitely worth the convoluted travel plan (driving to Oxford to get the train - First Great Western seem to think people at the Vale of Evesham/Malvern end of the line don't go out at night...)! Ólafur Arnalds Something of a culture clash early on once the sold out crowd had sat down. Greg Haines , last night's support act, came onstage pretty prompt and after a quick hello to the audience, sat down and proceeded to play for 30 minutes straight. He received fabulous applause, but there was a small amount of coughing and fidgeting going on... A great atmosphere with the auditorium completely dark except for Greg's spotlights (cue reminiscences of Frank Horvat and Timber Timbre ) - for most of the 30 minutes I was lost in his soundscape. He started with very ambient-minimalist piano sounds and gradually worked ...

This year's format change for Ottawa Folk Festival involved a divide between free and paid events and a slight change to the site layout. Thankfully some of the sound bleed and bad sound mixes of 2011 were gone as well as the stupid split audience for the CUPE stage. M and I had paid tickets for Friday 7th and went to free events Sunday 9th. The one downside of the paid/free divide is that people who want to mix between the 2 halves frequently have to go through security every time... Kathleen Edwards Nonetheless, Friday's lineup was excellent and had clearly enticed lots of people to brave the weather forecast; to my eyes a much bigger audience than last year. We arrived to see the end of Alberta Cross's set (no complaints there) and finally managed to hear Kathleen Edwards . I've read a fair bit about Ms Edwards recently but had so far only managed to hear one song, 'Change The Sheets', but thoroughly enjoyed the rest of the set from this popular son...

After Karkwa's excellent show on Thursday, we were eagerly awaiting the triple bill of Austra , Young Galaxy and Tasseomancy on Saturday 3rd... not to mention Feist! We first saw Tasseomancy in April supporting Timber Timbre ; I was impressed by them then. This time, the songs were still excellent (I've since listened to their new album Ulalume , which is superb) but their dreaminess seemed a tiny bit lost in Ritual.  They had a reasonable reception but I'm not sure how many concertgoers were familiar with their stuff. Young Galaxy In my mind Young Galaxy were equally as big a draw as Austra. Definitely an eagerly awaited set after muptiple spins of Shapeshifting ! Like Tasseomancy, Young Galaxy were limited to 30 minutes of performance; starting with 'Blowminded' and 'Long Live The Fallen World' certainly charged up the crowd! The rest of the set included songs like 'Peripheral Visionaries', 'We Have Everything' and 'Cover Y...

Timber Timbre have been described (by Ottawa Xpress amongst others) as folk/blues/gothic, i.e. hard to label music, and by themselves as writing music 'with chilling authenticity' (quoted from their website ). Timber Timbre consists of Taylor Kirk (who released his self-titled Timber Timbre in 2009) along with fellow multi-instrumentalists Mika Posen and Simon Trottier. Making waves as far as the Polaris long list, plus the playlists of BBC 6 Music and British online music magazine The Line Of Best Fit , the combined package was too enticing to refuse. Hence M and I headed to another new (for us) venue, First Baptist Church, for the album launch on 9th April. The church is pretty reasonable for a venue, dry again but this time for obvious reasons. A sizeable crowd turned up for the evening's entertainment which commenced with duo Tasseomancy - again quite hard to define, but maybe new/alt folk is a good place to start. Formerly known as Ghost Bees, the duo of Sary and R...