PrettyInScarlett

After my hectic July and more relaxed August, M and I saw out the summer with a trip to Folkfest yesterday (Day 3). Initially tempted to attend by Basia Bulat's inclusion on the Ravenlaw stage, we had a fun and relaxing day in the sun. I now know more about banjos than I did on Friday, thanks to the afternoon workshops; we also saw the end of the Song Maps workshop.  The Moon stage - The Little Stevies As a Folkfest first timer, I can't comment on the new site vs old site, but there is certainly plenty of room at Hog's Back Park. Our only real complaint features the main CUPE/SCFP stage area. Whilst the rest of the site had a great laidback, fun vibe, the CUPE/SCFP stage was much more anonymous and less laid-back. The division of the main stage audience area into (presumably) VIP/seating and general was quite weird. Whilst the Moon stage  - smaller acts from other stages doing short inbetweeny sets - is a great idea, the CUPE/SCFP stage just wasn't inviting. The

Now both chamber festivals are over, I've finally had a chance to sit back and relax! As to which festival I most preferred, Music and Beyond and Chamberfest serve slightly different audiences and purposes; I found both immensely enjoyable. Chamberfest had the edge on big name stars, for example both Simone Dinnerstein , Marc-André Hamelin and Anton Kuerti on the piano side, along with groups such as the Nash Ensemble of London . Like Music and Beyond, I didn't go to a bad concert (there was some concert-goer discussion about the merits of Dinnerstein but I missed that show) so picking a clear favourite is difficult! In terms of innovation, Chamberfest's Late Night at the Kildare series was brilliant, with a wide range of 'fringe' chamber music. Cello grunge (courtesy of the Samurai String Squad ), Lara St. John performing Stomp! and Starbachs: The Coffee Cantata were all fantastic. It's a great breakout too - smaller audience, more intimate feel, slight ba