PrettyInScarlett

Back to small venues after the E Street Extravaganza, and a treat, really, our second Sugars experience. A quick line about the support bands -for once they were at least ok! The first up, Jodie Daniels , just him and an acoustic guitar, he wasn't bad at all for his first ever show! Next (local) band Sixty were pretty polished but fairly unoriginal (except for a cover of 1990s hit Rhythm Is A Dancer). Unfortunately, friends of both supports had made up a good section of the audience, who then left, so it was (again) a pretty small gathering for The Sugars! Pah. They missed out! I managed to get a snap of the set, which, amended for a few changes, was: Seamstress (not sure of 2nd song), Fairy Tales, Heaven Knows, Serenade, Monsters, All My Children, Mama, Everybody Yell, Gossip, W T M H, Black Friday. The changes -well, there was a problem with an amp after Heaven Knows, but nobody minded that much. Especially not us, trialling earplugs for the first time and they definitely work! N

Taking a day out from a very busy music weekend, all sorts of new experiences! Thursday, M and I ventured to the Wales Millennium Centre for a somewhat unusual (for us, anyway) evenings entertainment from Welsh National Opera. The first half of the performance was a performance of Prokofiev’s orchestral score to Eisenstein’s 1938 Russian film Alexander Nevsky. The story of the film centres on Nevsky, the Grand Prince of Novgorod and Vladimir in the 13 th century. The film is a portrayal of Russia under and fighting Mongols in the east and Germans in the west [a very suitable accompaniment to recently released Sergei Bodrov film Mongol, then], and is apparently an impressive work, although I haven’t seen it (very tempted now, though!). Prokofiev’s work (reworked for voice and orchestra after the release of the film), is very good, although from some of the lyrics it is obvious that the film, and score, was written in 1938 –very nationalistic and, according to M, labouring the point