PrettyInScarlett

A real lunchtime treat a few weeks back -the ever increasing chaos of my life at the moment means sadly I have only now found the time to write! Taking an hour out of the whirlwind I went to see Peter Moore , with pianist Robert Thompson, play one of Leeds University School of Music's Lunchtime Concerts. What an hour!  Peter Moore won BBC Young Musician in 2008; since the he has gone from strength to strength including nomination as a BBC Radio 3 New Generation Artist and as a Young Classical Artists Trust musician. For the lunchtime recital, the programme was: James Maynard - new work (premiere 30th January 2017 at Wigmore Hall) Manuel de Falla - 7 Canciones populares Españolas Reynaldo Hahn - A Cloris Henri Duparc - La Vie antérieure Eric Ewazen - Sonata for trombone and piano (1993)  Everything was fantastic. Throughout, the sheer range of textures and emotions that Peter pulled out of the trombone was amazing; from a dreamy softness in the Maynard work to

After purchasing tickets for Lubomyr Melynck, I saw this performance and thought - yep, that sounds good! People on Sunday (Menschen am Sonntag) is a German silent film from 1930, filmed in summer 1929. A portrayal of daily life in Berlin at the time and the desire of workers to enjoy their leisure time! múm are an experimental group from Iceland. Think indie/electronic/ambient and very enjoyable.  The combination - a highly enjoyable, informative, funny, relaxing evening. I hadn't seen Menschen am Sonntag before and it was interesting to watch - bits of Berlin that I recognise, beer drunk from big goblets (think oversized wine glasses), the feel of warm sunshine and the breeze off the lake. Great! As was the social commentary - including how modern the lifestyles of the characters were (or maybe, how much continuity there is between the late 1920s and today). The live improvised score from múm was very in keeping with the film - both matching the sunny weather and the scenes

The last day of February and (yet) another concert - ending the month on a high! The 28th February saw a concert by the Aurora Ensemble at Skipton Town Hall as the penultimate concert in the Skipton Music season. One of the top wind quintets in the UK, the Aurora Ensemble performed a varied and classy programme. The pieces performed were all Classical or early 20th Century - with the exception of the Quintet by Klughardt, which is a rare Romantic piece for this set of instruments. I did find this piece hard, or at least harder than the rest - though the serenade and scherzo sections were very good. Piece of the evening went to Malcolm Arnold's Divertimento for Flute, Oboe and Clarinet Op. 37 - 6 brief movements but encompassing a wide range of styles and emotions. The rest of the programme - all very enjoyable - included Zemlinsky, Danzi and Briccaldi. The Ensemble indeed live up to their billing - a very elegant performance!

Courtesy of Erased Tapes, Lubomyr Melynck was already on my radar so his concert at Leeds' Howard Assembly Rooms on 24th February was an easy choice. The Hungarian/Canadian pianist describes his style as 'continuous music' and treated the audience to a witty monologue before his performance. I will leave Lubomyr to describe continuous music himself - see his website .  The fastest pianist in the world is also a strong proponent of acoustic listening and was delighted that the concert could be performed acoustically (no amplification) due to the acoustics of the Howard Assembly Room. The performance was of 4 pieces of which special mention goes to Butterfly - definitely my favourite. The piece exists in solo piano and 2 piano versions, and in different recorded versions (excellent CD of this piece purchased at the show). So full of hope and beauty. The final piece performed was Windmills , which is written for 2 pianos. Lubomyr had recorded one part earlier that aft