Change of city - initial experiences in Durham

After our sojourn in Worcestershire, M and I have now relocated to Durham, north-east England. Still early days but I am slowly finding venues and event listings. The end of June saw us at Hill Island Microbrewery's mini festival at Alington House - fruit beers!! Shades of Ottawa, especially the raspberry.... The last week, along with summer (yay!) saw the opening Streets of Brass from this year's Brass: Durham International Festival. Walking in along Framwellgate Bridge on Saturday 6th we were greeted by the enthusiastic and entertaining performers from Brassy B, whom we could hear down in Fowlers Yard. Fowlers Yard had a 10th anniversary festival/open day; we tried the delights of Leonard's for lunch, plus a swift drink from the Hill Island folk. Our brief Brass experience continued with Oompah Brass in the Market Place. Fantastic playing and also very, very funny; treats included covers of Bonnie Tyler's 'Total Eclipse of the Heart', plus 'Crazy Little Thing Called Love' and 'Bohemian Rhapsody' from Queen.

Stillaphone

On the experimental side, yesterday I headed off to Durham Cathedral for two of the Brass: Pitch events. First up was John Kefala Kerr's Book of Bells in the Monks' Dormitory Library. This meditative piece mixed digitally manipulated brass, bell and choral recordings with audience interaction. The effect was something like a minimal, occasionally discordant soundscape - entirely different to my perception of the original material as somewhat more 'traditional'. The addition of the interactive element - a book quiz with ringing of small bells - provided an immediate, random aspect to the piece, which had a distance to it. Really interesting and peaceful - recommended!

After a stroll around the Cathedral, I then headed to The Music School next door for louie+jesse's project, Stillaphone. Simple brass household items - pans, kettles and so on - into which randomly timed water droplets fell. Simple but effective.

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Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

PrettyInScarlett

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