Skip to main content

Summer songs 1 and 2: Ukulele Orchestra of Great Britain plus Concertgebouw Amsterdam

Do you uke? Yes? You'll come away inspired. No? ha - ditto anyway -  the Ukulele Orchestra of Great Britain come highly recommended. Not just a musical show but a real evening of entertainment. I was far too busy laughing for taking photos - whilst trying to follow the very intricate arrangements and playing styles.

In between jokes, the 8-strong orchestra played a variety of old and new songs arranged very skillfully for their ensemble of ukuleles - from 'fridge magnet' tiny to a bass ukulele. Some of the set pieces are available on the Orchestra's YouTube page. Amongst classics such as Morricone's The Good, The Bad and The Ugly were inspired takes on songs such as Get Lucky, Kiss and even Teenage Dirtbag. Party in the aisles of the Alhambra.

In complete contrast, a midday break from touristing round Amsterdam led us to the Concertgebouw for a bite-sized free concert. Within the calm of the Kleine Zaal  - packed with a mix of locals and tourists - we heard members of the Royal Concertgebouw Orchestra perform a 35-minute programme:

Weber - Finale - Allegro (from Trio in g, Op. 63, J 259)
Schulhoff - Andante con moto; Andante;  Rondino -  Allegro gaio (from Concertino)
Brahms - Scherzo: Allegro - Molto meno allegro (from Horn Trio in E-flat major Op. 40)  

The Weber movement suited the summer's day perfectly - bright and warm. The Schulhoff which followed was rather more complex but equally rewarding. The movements from the Concertino showcased a sound derived from the Carpathian folk tradition - lots of complex rhythmic motifs and contrasting melodies, with a very lively folk dance in the Rondino.  The exuberance continued into the final section, with the lively lighter movement from Brahms' Horn Trio.  

Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments   in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .