Skip to main content

Innercity Pirates Night 1


Second gig of the year. M and I braved the icy winds last night to see Innercity Pirates (fka My Red Cell) at Clwb Ifor Bach in Cardiff, the first of a few 'Pirates Nights'. Almost empty when we first went in, but more people turned up later on (though by 'people', read bands/friends/family and a few others like us).

This evening there were 2 support bands, who had a 30 minute slot each. First up were Red City, who were solid (maybe even a bit samey?), rather obvious Metallica influences at times!
The second band, Dirty Looks, were much better. M thinks we have seen them before and certainly their 1st song 'Into The Sun' sounded familiar. Then again, they did remind me of The Kooks in some ways so perhaps that was it.

Innercity Pirates (see picture taken by M) were on for about an hour or so. I should say at this point that there was no 'stage' as such at all in the ground floor room at Clwb Ifor Bach, the bands performed on the dancefloor section of the room, so twas a very intimate setting! The set was a mix of old favourites from their '13InMy31' album and some new songs from their recent EPs. Of the older songs, I recall In A Cage (On Prozac), Going Out For Nothing, Head In The Ground and Whisper The Fear. New songs included Locked In This Game, Eat The Pain, Go Now Go, She's A Bastard and Bang Bang. The last song M recognised but I didn't - not sure of the title but it went 'f*ck love and hate lets masturbate' - anyone who knows the proper title please post a comment! For samples of the above and info please visit their website Innercity Pirates.

As I mentioned earlier, most of the audience there seemed to be friends and family, atmosphere more of a live practice session, with a few techical problems during the set! Though in some ways this added to the atmosphere!

Next Pirates Nights at Clwb Ifor Bach (which are highly recommended) are: 31st March, 28th April and 26th May 2006.

Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments   in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .