Better and better

Back to Barfly last night, the disappointment of last time luckily not repeated! This time it was to see Howling Bells plus support Indigo Moss. For once, a decent support band! Indigo Moss are a bit hard to categorise, low fi with country tinges? It worked anyway! Their sound is a mixture of original material and arrangements of traditional songs, and an equally interesting style - one of the female members had a vintage floor length dress on... but I digress. All obviously competent musicians; with the exception of the bass player and drummer, the other members kept swapping instruments. Very enthusiasic response from the crowd, at times it seemed as if they were more popular than Howling Bells!!! I purchased their EP straight after the set, & their album may find its way here too... For more info see their website or myspace.

By the time Howling Bells took to the stage, Barfly was pretty much full! Another excellent set. Howling Bells are one of the current bands du jour and their sound is very much of the moment - and very popular! I recognised current single Setting Sun from its airplay on 6 Music. Various influences, some of their stuff reminded me of tracks off Goldfrapp's Felt Mountain album, and at times they did sound as if they'd walked straight off a cult soundtrack! Selftitled album out now.

In a similar vein to the above bands, have recently discovered Oi Va Voi, courtesy of a friend and Oxfam's music shelves... another not so easy to describe band! Not exactly sure where they're from (can't see it either on website or myspace) but according to the info in Laughter Through Tears' CD sleeve, varying folk influences from across Europe. Some similarities with Sigur Ros, Goldfrapp as above; in the general vein of quieter, chill out music (not that good at this kind of thing - usually its either good, bad or don't even bother) in short: go buy!

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Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

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