Skip to main content

The Who Are Alrght

New month, new gig. M and I journeyed along the coast to Swansea for the inaugural concert at the Liberty Stadium, accompanied by the sun, thankfully.

Now the official first band to play the Liberty Stadium, first on were Stuart Cable (formerly of Stereophonics) new band Killing For Company. We hadn't previously heard any of their material. They were entertaining, but what we expected them to be rather than any surprises. New single Enemies out 4th June, see their website for details.



Next up and another blast from the past, The Charlatans. Wasn't that much of a fan the first time, but they were good, and they played their hits including North Country Boy. There were clearly a few Charlatans fans in the crowd who were kept very happy, but not much interaction with the crowd from the band.



Onto the main act, who certainly pleased the crowd with 2hrs 15mins of play! The Who set included: I Can't Explain, The Seeker (with 1 power cut), Anyway, Anyhow, Anywhere, Baba O'Riley, Who Are You (with 3 power cuts), The Real Me, Real Good Looking Boy, You Better You Bet, The Kids Are Alright, one track from their 2006 album Endless Wire, ending with My Generation and Won't Get Fooled Again. Encore included Pinball Wizard, Sparks, another power cut and an acoustic song to end, to which I don't know the title!



Right. The power cuts - teething troubles on the part of the stadium, it seems, so we got 3 nearly finished versions of Who Are You, it wasn't finished properly so as not to jinx the set!! After that all went well until the encore. Seems to have been linked to the video screens. These were used well (when not cutting the electric!), often showing the original videos to the older songs (in the vein of the Stones). The crowd were hugely enthusiastic, so it was a shame that the show wasn't a sell-out. The Who are raising money for charity by selling CD and/or DVD recordings of the concert, see this link for information. Were they as good as the Rolling Stones? Tis a very tough question.



Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Piano salons

Catching up on LinkedIn after a vacation, I came across a link for The Saturday Piano Salon . This caught my eye as I organise and attend an adult amateur piano group here in Ottawa. The Saturday Piano Salon, based in London, is an impressive step up from our friendly afternoons, giving amateur (and semi-professional, according to their site) pianists an opportunity to perform on a Steinway Model D at Steinway Hall. I read the review of their first Saturday event with interest. Maybe next time I find myself in London...