Why are the great gigs always half empty?

Back to small venues after the E Street Extravaganza, and a treat, really, our second Sugars experience. A quick line about the support bands -for once they were at least ok! The first up, Jodie Daniels, just him and an acoustic guitar, he wasn't bad at all for his first ever show! Next (local) band Sixty were pretty polished but fairly unoriginal (except for a cover of 1990s hit Rhythm Is A Dancer).

Unfortunately, friends of both supports had made up a good section of the audience, who then left, so it was (again) a pretty small gathering for The Sugars! Pah. They missed out! I managed to get a snap of the set, which, amended for a few changes, was: Seamstress (not sure of 2nd song), Fairy Tales, Heaven Knows, Serenade, Monsters, All My Children, Mama, Everybody Yell, Gossip, W T M H, Black Friday. The changes -well, there was a problem with an amp after Heaven Knows, but nobody minded that much. Especially not us, trialling earplugs for the first time and they definitely work! No ringing ears at all! And, the sound seemed accentuated so it was easier to hear individual instruments. Apart from that, excellent set. Also, another chance to buy a coloured 7in single, this one (Black Friday/Isle of Sirens) is fuschia -which will tide me over a few weeks.

The album 'Curse of the Sugars' is out 7th July on various formats. Myspace will give details of further shows on the current tour.

Comments

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Piano salons

Catching up on LinkedIn after a vacation, I came across a link for The Saturday Piano Salon . This caught my eye as I organise and attend an adult amateur piano group here in Ottawa. The Saturday Piano Salon, based in London, is an impressive step up from our friendly afternoons, giving amateur (and semi-professional, according to their site) pianists an opportunity to perform on a Steinway Model D at Steinway Hall. I read the review of their first Saturday event with interest. Maybe next time I find myself in London...

PrettyInScarlett

Search This Blog