Highlights of the Cardiff Festival (so far, anyway)

That is, musical highlights! Firstly, M and I went promenading at 2 Welsh Proms concerts. The first, on Monday 20th July, was the Revolutionaries Prom. Most obvious revolutionary - Beethoven (the concert featured his 'Overture, Les Franc Juges' and the Third Symphony (Eroica), famously almost dedicated to Napoleon. Those pieces were appreciated, & well played by the BBC National Orchestra of Wales, although we were bored by the other work, Berlioz' suite of songs 'Les Nuits d'ete'. Maybe this piece was the reason why the Revolutionaries Prom had not sold that well - plenty of empty seats. A much better atmosphere, and indeed, interesting set of works, on Friday 24th for the Romantic Prom. The Philharmonia this time, playing Beethoven's 'Overture No 3 Leonora', Dvořák's Cello Concerto and Sibelius' Symphony No 5. The Cello Concerto was excellent (reminiscent of a previous Welsh Proms cello performance -Saint-Saëns' Concerto No 1), featuring soloist Thomas Carroll. The Beethoven was, well, Beethoven, but we were slightly underwhelmed by the symphony. All in all, still worth the £5.50 tickets. Looking forward to our next visit to St Davids Hall on 11th August, we're trying out the National Youth Orchestra of Wales. Programme looks good -more here.

Onto perhaps more familiar territory, we ventured to the last evening of this year's Cardiff Big Weekend to see headliners The Zutons - 4th time for me and 3rd for M at last counting. They were good, well received, but we were definitely unimpressed by songs played from their latest album You Can Do Anything. I remember not buying it, listening online giving me the impression it wasn't as good and I think I was right. The newer material seems to feature less sax, more guitar and makes The Zutons more like the average indie band, which they were not origially. Still, it was fun, and the fireworks were good.

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Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Hidden Witness

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