Skip to main content

The Crookes

Another trip to Barfly on 15th April. Not quite a complete random gig; we chose The Crookes as the band members are/were all students in Sheffield (my old university haunt) & the band is named after the city suburb. Something of an oblique reminiscence, then. They've also been on 6 Music recently.

Thankfully, it was one of those period nights where the support bands were at least as good as (possibly better than) the headline act. Toy Horses and Zenyth completed Thursdays lineup. Toy Horses were fun and quite infective. Very enjoyable and maybe even the highlight of the night. Zenyth were more in the South Wales rock mode, in my ears quite obviously influenced by Stereophonics etc (the list of influences on their myspace is also quite telling) but not disturbingly so. They weren't as exciting as Toy Horses but still an enjoyable set.

The Crookes, for all the 'great new band' hype, were again ok but not an awful lot better. Someone needs to teach them onstage banter, though, as in this respect they came of weakest of the 3 bands. Their songs were reasonable but seemed relatively samey. Their style (both music and clothes) reminded us both of The Sugars, but in that comparison The Sugars win! Maybe also a touch of Kitty, Daisy and Lewis.

Toy Horses have an album preview online; I'm not sure The Crookes are at that stage yet but plenty of tracks on their myspace.

Comments

Popular posts from this blog

Angela Hewitt Week, 14th-20th May 2012

I just received information from a friend about Angela Hewitt Week in Ottawa, 14th-20th May as declared by Mayor Jim Watson. Ms Hewitt is performing with Chamber Players of Canada on Friday 18th May; there will also be An Afternoon With Angela Hewitt on 20th May at the National Arts Centre hosted by the Canadian Friends of the Trasimeno Music Festival .

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

The Venezuelan maestro comes to Cardiff

A highly anticipated evening of entertainment for M and I, we headed to St Davids Hall to see the conductor of the moment, Gustavo Dudamel , conduct the Philharmonia Orchestra . Highly entertaining, too, and the place was pretty full, though possibly not sold out. We had anticipated the first piece to be Antonio Estevez' 'Mediodia en el llano', but a last minute change meant the first work was (I believe - the posters up in the venue were rather short on info!) Berlioz' Roman Carnival. Initially we may have been a tad disappointed but the replacement work was excellently peformed, cue many smiles. Unfortunately, the smiles soon evaporated, as the second, and for us, least interesting piece, was Mozart's Piano Concert No.17 K453 with Emanuel Ax on piano. M described Ax as mellow, I described him as dull. That may be because neither of us are really into Mozart, but compared to previous visits to St Davids Hall to see pianists Noriko Ogawa and Freddy Kempf, we really...