Skip to main content

Loud and gritty in Wolverhampton


Time again for the periodic trip to Wolverhampton. The last few visits (Nov 2008-
Sigur Rós, Jan 2009- Seasick Steve) were to Civic Hall, but 28th April was to the smaller sister venue Wulfrun Hall. We hadn't been there for (I believe, don't really want to count!) 5 years, and in a lot of ways it is a better venue than the Civic -more intimate but still good acoustics.

The reason for this trip was to see Black Rebel Motorcycle Club (BRMC). I somehow want to write 'underground', but as the show was a sellout and I believe many of the other dates were/are too, maybe 'ignored by the media' will suffice. Certainly I can't recall reading much about them recently, however over the years there's been a steady stream of albums with a few varying styles. M and I saw BRMC separately back in 2003 and enjoyed the band's live sets then. Amazingly, BRMC's website has their entire 'gigography' online, so according to them the respective dates were 4th and 8th November (Sheffield and Cardiff dates). My! It really doesn't feel that long ago!

The support, Dark Horses, were new to both of us but certainly entertained. Kinda dark psychedelicy rock, seemed entirely suitable too. Well worth a future listen, myspace available. According to another review I found here, Dark Horses are unsigned?! I would hope not for long. There is a link on their myspace and on their website for 2 free downloads.


Dark Horses started playing to a fairly empty room but by the end of their set the sellout was obvious. BRMC teased the crowd with a false start but then kicked off with War Machine. Set list (from the same midlands rocks review mentioned earlier): War Machine / Mama Taught Me Better / Red Eyes and Tears / Bad Blood / Beat The Devil's Tattoo / Love Burns / Ain't No Easy Way / Aya / Berlin / Weapon of Choice / Annabel Lee / Awake / Whatever Happened to my Rock N Roll (Punk Song) / Acoustic Break / River Styx / Shuffle Your Feet / Conscience Killer / Six Barrel Shotgun / Spread Your Love / Stop / Shadows Keeper. Happily for us the set was a mix of old and new; I think my standout tracks were Shuffle Your Feet, Weapon of Choice and Whatever Happened to my Rock N Roll. BRMC are very polished live performers with an incredible sound (volume as well as melody!) and were on stage for nearly 2 hours. All this for a very reasonable ticket price. Excellent!



A must see band, as much now as they were in 2003. New UK tour dates for later in the year have been announced, see link for the list on BRMC's site.

Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments   in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...