Skip to main content

Red light music

Timber Timbre have been described (by Ottawa Xpress amongst others) as folk/blues/gothic, i.e. hard to label music, and by themselves as writing music 'with chilling authenticity' (quoted from their website). Timber Timbre consists of Taylor Kirk (who released his self-titled Timber Timbre in 2009) along with fellow multi-instrumentalists Mika Posen and Simon Trottier. Making waves as far as the Polaris long list, plus the playlists of BBC 6 Music and British online music magazine The Line Of Best Fit, the combined package was too enticing to refuse. Hence M and I headed to another new (for us) venue, First Baptist Church, for the album launch on 9th April. The church is pretty reasonable for a venue, dry again but this time for obvious reasons.



A sizeable crowd turned up for the evening's entertainment which commenced with duo Tasseomancy - again quite hard to define, but maybe new/alt folk is a good place to start. Formerly known as Ghost Bees, the duo of Sary and Romy Lightman (pictured above) entertained and entranced with a short set, presumably taken from their imminent album (due August, I believe). We caught references to Bat for Lashes, Mogwai, Kate Bush and the spirit of Stevie Nicks. Highly interesting! As of current writing, some of their songs are available for listening on CBC Radio 3's site.

Do 2 points make a trend? - after Frank Horvat comes Timber Timbre? For the duration of Timber Timbre's set, the trio played solely under red light. Nearly 'music in the dark', and almost as relaxing! Sadly red light alone did not make for good pictures, but really we (and the whole audience) were far to engrossed in the music. The gig was an album launch event for new record Creep On Creeping On and the set comprised of songs from the LP -yes, Creep On Creeping On is available on 180g white vinyl, as well as CD etc. Timber Timbre's own words (again from their website) best describe the intensely interesting songs - 'heartrending compositions that engage, transport and challenge'. Engage is a key word - compared to many many gigs, the audience were almost totally silent. I am inclined to believe that the music being performed was the main reason for this communal transportation, rather than the seated venue (pews), lack of lights or lack of alcohol.

All in all a brilliantly engaging evening!

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

Guitar week: Gitarrissima and Sean Shibe

Almost at the Christmas break and hectic as ever! This last week was a two-concerts week (with a Christmas party in the middle) and it was guitars all round. First up, on 11th December, were Gitarrissima of Vienna at Skipton Music . The quintet (reduced to a quartet on Tuesday due to illness) performed A Christmas Celebration - seasonal music and a very jolly evening all round. The group perform on a mixture of concert guitars, an octave guitar and an acoustic bass guitar and the sound is remarkably rounded, not necessarily to be expected for reductions of orchestral pieces. Each set of pieces was introduced by a different member of the group. In a lot of ways, Gitarrissima reminded me of Ukulele Orchestra of Great Britain with their clever arrangements of well-known pieces as well as musical excellence. The programme included excerpts (arranged by the group) of Bizet's Carmen , Tchaikovsky's Swan Lake and The Nutcracker, all of which were performed very well but som