Skip to main content

December extravaganza, part 2

After Karkwa's excellent show on Thursday, we were eagerly awaiting the triple bill of Austra, Young Galaxy and Tasseomancy on Saturday 3rd... not to mention Feist! We first saw Tasseomancy in April supporting Timber Timbre; I was impressed by them then. This time, the songs were still excellent (I've since listened to their new album Ulalume, which is superb) but their dreaminess seemed a tiny bit lost in Ritual.  They had a reasonable reception but I'm not sure how many concertgoers were familiar with their stuff.
Young Galaxy
In my mind Young Galaxy were equally as big a draw as Austra. Definitely an eagerly awaited set after muptiple spins of Shapeshifting! Like Tasseomancy, Young Galaxy were limited to 30 minutes of performance; starting with 'Blowminded' and 'Long Live The Fallen World' certainly charged up the crowd! The rest of the set included songs like 'Peripheral Visionaries', 'We Have Everything' and 'Cover Your Tracks'. 
Both Tasseomancy and Young Galaxy suffered from technical problems. Something was amiss: Ritual were late opening doors (this meant that Tasseomancy perhaps had a smaller audience than they may have otherwise); and the bands didn't seem to have fully soundchecked as there were a lot of queries back and forth about mikes and stage monitors. Tasseomancy lost their guitar halfway through the set as well.

Austra 
The problems seemed to have been mostly sorted (although at a much increased volume) when Austra came onstage. I wasn't familiar with her works before, but in quite a few ways Stelmanis' classical background comes through the electro-indie-dance sound. Excellent vocals from Stelmanis and Tasseomancy (sisters Lightman provide backing vocals). Within the around 45 minute quality performance I heard references to bands like Bat for Lashes, Goldfrapp, Ladytron, Ladyhawke; plus the combined spirits of Kate Bush and Stevie Nicks permeated through the Austra and Tasseomancy sets. Result: bands, 10, venue, -3. Ritual, please up your game.

Moving onto Monday 5th and a sold-out performance by Feist at the National Arts Centre. Going with the norm, the show started prompt at 8pm and quite a few people missed the start of Bry Webb's support slot. Having seen Feist's stage setup, a pared down duo made sense for support, but I found Webb's songs solely revolved around one idea. OK for one or 2 songs, but by the end of the set they were getting rather samey.
Feist 
Huge cheers for Feist and co when they came onstage for an outstanding set just shy of 2 hours. New material from Metals included 'Undiscovered First', 'How Come You Never Go There', 'A Commotion', 'The Bad In Each Other', 'Graveyard' and 'Bittersweet Melodies'. Sadly there were quite a few 'amateur' concergoers in the crowd who really only wanted to hear the hits. The 'time machine section' (to quote Leslie's banter) part way through did include Reminder hits such as 'I Feel It All' and 'My Moon My Man', as well as 'Mushaboom' from Let It Die. The whole thing was done well and with some live twists. Again, 10 for the musical content but I would have preferred to have been standing (somewhere like Wolverhampton's Civic Hall, maybe); the amateurish getting up, leaving early, yo-yo-ing behaviour of some concertgoers may then have been less obvious. Backing singers Mountain Man got their solo slot too, which was very good but not really my thing.
Local photoblogger Ming (PhotogMusic) has some great photos from all of the December extravaganza bands; Ottawa Citizen's review of Feist is available here.

One final note on Thursday 1st's discovery, I Spell It Nature - I downloaded their selftitled EP, which is free on their bandcamp site; it is brilliant. 

Comments

Ming said…
I was wondering who prettyinscarlett was.
Ya sad to miss out on Austra.
But I heard from a friend that it was too crowded, hot and no room to dance during Austra's set.
I had alot of room during Young Galaxy.
Glad I first saw Austra back in May where it wasn't as crowded.
http://photogmusic.com/?p=14531 - May 27th show.

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

New talent at Southminster

As a follow-on from last weekend's excellent Chopin concert, there is an afternoon of New Artists from the NAC's Summer Music Institute at Southminster United Church on 17th June. Entitled 'Dover Beach and other works for summertime', the concert features new artists Katarzyna Sadej , Emily Nenninger , Drew Santini, Hannah Min, Paul Casey , Karen Kang and Bryan Wagorn. I had the chance to hear Bryan Wagorn at one of University of Ottawa's Concerts at the NAC 4th Stage concerts back in February and thoroughly enjoyed his performance. The proposed programme is very enticing: MENDELSSOHN   String Quartet No. 2 in A minor, Op. 13 MONIUSZKO          Sen  (The Dream)                                       Prząśniczka (Spinner Girl) SZYMANOWSKI    Lecioły Zórazie (The Swans Were Flying)                                    Ściani Dumbek (The Dark Forest)    CHOPIN                   Piosnka Litewska (Lithuanian Folksong)                                    Moja Pieszczotka