Skip to main content

Sounds of JUNOfest



Classical JUNOs performers
Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre, featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico, Susan Hoeppner, Heather Schmidt and the New Orford String Quartet. Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments  in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5, an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the popular vote, however my favourite of the afternoon was Heather Schmidt's performance of her own piece, Silver Tides. A letter from the heart that wouldn't, to me, have sounded out of place in a (good) pop concert. Sadly at the time of writing I can't find a recording of this piece to link, but all of Schmidt's compositions and recordings are listed on her site, as well as other sound samples here.

The Strain
I Spell It Nature

Friday evening's JUNOfest event was chosen on the strength of I Spell It Nature's support slot at Karkwa's show in December. The first band were Wakefield band The Strain, who were entertaining and have a lot of potential, but seemed not to have quite found their sound. I Spell It Nature followed: on 2nd listen their set was very polished and to me, quite the most 'different' band of the evening. Their album A Story Of... found its way into my bag and now that JUNOfest is finished I'll be able to listen to it! We stayed for the first few songs from The Love Machine but weren't impressed.

EKO!
Back to The Lounge on Saturday for The Deep Dark Woods and supports. This one really was chosen on the strength of Facebook, Spectrasonic's website and Ottawa Xpress. We were really impressed with Gatineau group EKO!. They had banter and good tunes, a great Saturday night band! EKO! and Harlan Pepper were the 2 best bands of the night, fitting together really well. Harlan Pepper's influences are very obvious, but nonetheless their energetic folk-rock sound and polished stage presence (not to mention two cardboard cows) puts them clearly in the watch-this-space category. 

Given The Deep Dark Woods hype, we expected more than we heard. Maybe it was just their particular style, or their very late stage slot, or the mumbling into the mic between tracks, but they didn't seem to engage with us (though their fans in the crowd were very excited).   
Harlan Pepper
 

     

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

New talent at Southminster

As a follow-on from last weekend's excellent Chopin concert, there is an afternoon of New Artists from the NAC's Summer Music Institute at Southminster United Church on 17th June. Entitled 'Dover Beach and other works for summertime', the concert features new artists Katarzyna Sadej , Emily Nenninger , Drew Santini, Hannah Min, Paul Casey , Karen Kang and Bryan Wagorn. I had the chance to hear Bryan Wagorn at one of University of Ottawa's Concerts at the NAC 4th Stage concerts back in February and thoroughly enjoyed his performance. The proposed programme is very enticing: MENDELSSOHN   String Quartet No. 2 in A minor, Op. 13 MONIUSZKO          Sen  (The Dream)                                       Prząśniczka (Spinner Girl) SZYMANOWSKI    Lecioły Zórazie (The Swans Were Flying)                                    Ściani Dumbek (The Dark Forest)    CHOPIN                   Piosnka Litewska (Lithuanian Folksong)                                    Moja Pieszczotka