Skip to main content

Feverfest 2012

After last year's inaugural event (which I wasn't able to attend), the organisers behind Feverfest clearly have expansion in mind. This year's event, last Friday and Saturday (22nd and 23rd June) was co-hosted by Irene's Pub and Clocktower (Glebe) with indoor and outdoor stages.

M and I spent an excellent Saturday afternoon relaxing in the shade at Clocktower. This year, I was enticed to go because The PepTides were playing but enjoyed most of the bands I saw. The lunch slot had been awarded t0 Loon Choir whom I hadn't encountered before, but were pretty good. We were not as impressed by Zoo Legacy; their vocal sound in particular seemed either retro (if you like them) or dated (if you don't). During these sets more people were arriving, but the indoor stage was still pretty quiet when Ty Hall played his set. Just going on his unplugged set, I heard interesting lyrics in a singer-songwriter style, but having listened to some songs on his website, his recorded sound is really quite different. At a loose end on Canada Day? Hall is playing Canada Day On A Boat.


 









By the time The PepTides arrived onstage there was a reasonably sized crowd at the outdoor stage. Sadly a short set but mostly made up of newer material; for me, Saturday's rendition of 'Love, Live, Get High' had a definite Wembley Stadium vibe to it. Another impressive show and again I was left thinking 'when is their new album out?'. Some of the new tracks are available via Myspace and YouTube. Go and listen! It will be good prep for Bluesfest :)

After that high point, the audience ebbed away slightly, though not before checking out Julia Dales' set on the indoor stage. I was familiar with the name from the now-defunct Ottawa Xpress but not with the songs. Rather an original concept and an excellent and very interesting performance from Dales, by herself, creating live loops to accompany herself onstage. More 'one-girl folk-pop' via YouTube and Facebook. Just before Dales, we saw some of The Strain outside. We were impressed with them at JUNOFest and remained so, although to my ears their influences are a little too obvious - caught The Killers, Franz Ferdinand and MGMT in successive songs.

Final show for us before slowly cycling home were The Goodluck Assembly. They seemed to have started off samey but improved through the rest of their set. By this time more evening festivalgoers had arrived and quickly joined in the whoops and applause.

All in all a fun day out, good fun (and good beer too!). I also found it humourous that Saturday afternoon Ottawa must be such a safe place that the city could spare 2 cops all afternoon to 'attend' a neighbourhood festival!

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

New talent at Southminster

As a follow-on from last weekend's excellent Chopin concert, there is an afternoon of New Artists from the NAC's Summer Music Institute at Southminster United Church on 17th June. Entitled 'Dover Beach and other works for summertime', the concert features new artists Katarzyna Sadej , Emily Nenninger , Drew Santini, Hannah Min, Paul Casey , Karen Kang and Bryan Wagorn. I had the chance to hear Bryan Wagorn at one of University of Ottawa's Concerts at the NAC 4th Stage concerts back in February and thoroughly enjoyed his performance. The proposed programme is very enticing: MENDELSSOHN   String Quartet No. 2 in A minor, Op. 13 MONIUSZKO          Sen  (The Dream)                                       Prząśniczka (Spinner Girl) SZYMANOWSKI    Lecioły Zórazie (The Swans Were Flying)                                    Ściani Dumbek (The Dark Forest)    CHOPIN                   Piosnka Litewska (Lithuanian Folksong)                                    Moja Pieszczotka