Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari

Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good.

No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice.

Lang Lang with Tina Chong

Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed to get the harshest criticism (all comments couched in very friendly tones) for her performance of Mozart's Sonata in D major, K311: from tempi to excessive pedalling. Nonetheless, all three responded really well to Lang's comments and I definitely learned quite a lot! When talking, as with playing, Lang communicates with his whole body - fully getting behind the point he is making with all limbs. It certainly gave away his enthusiasm for music, and for teaching. A few humourous asides helped to develop an atmosphere both light and intense - in particular his closing comment to Chong: 'you have a beautiful heart; just don't drive too fast'!

A short postscript - the Ottawa International Writers' Festival events for their autumn edition have now been announced. I recently had a look at their new online journal, Foment, which has a very wide selection of detailed book reviews (and more).

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable. After a short break - in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few

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