Culture Weekend: Music and Beyond and the National Arts Centre

Following on from a successful 2012 festival, Music and Beyond held a Celebration Concert on Saturday, 29th September. The selection of works included repeats of festival favourites as well as a few new choices. One person commented to me that the sheer variety meant that the flow of the concert was a little disjointed (the stage had to be set for each individual performance), but the quality was superb.

NAC Culture Days - contemporary dance

Again I really enjoyed Howard Cable's The Petty Harbour Bait Skiff along with the evening's offerings from the 'Jewish Composers Through The Ages' concert: Popper's Hungarian Rhapsody and Glick's 'The Rabbi's Wedding at the Palmerston Street Shul' from The Old Toronto Klezmer Suite. Both of these fun party tunes received great applause, even more than Seventeen Voyces' rendition of Java Jive. Yannick-Muriel Noah dazzled with 'Es gibt ein Reich' from Ariadne auf Naxos, whilst Julie Nesrallah added a touch of the unusual with Respighi's Il Tramonto. All in all an enjoyable evening!

Yesterday we headed to the National Arts Centre for their Culture Days offerings. M is a keen photographer so initially we headed to the Studio for a photography workshop on contemporary dance, with dancers from The School of Dance and tuition from SPAO. I caught a few of the dancers myself but also relaxed and enjoyed their performances! Later on we had a look backstage as well as taking in Glenn Gould's piano, Steinway CD318. This was our first Culture Days visit to the NAC; it was really interesting and comes highly recommended for future years.

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Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

From Black Rose to Buena Vista

Two very different but equally impressive live experiences this last weekend. First up, our long overdue homage to the late, great Phil Lynott as Limehouse Lizzy returned to the Point on Friday 2nd March. Certainly on form (and not just lead singer Wayne Ellis, mmmm!) After a late doors, the band came on for a 2 hour set. They started off with Jailbreak (with added pyro), the rest of the main set comprising known songs like Dancing In The Moonlight, Warrior, Emerald, Johnny the Fox, Are You Ready, Killer On The Loose, Cold Sweat, Do Anything You Want To, Out In The Fields, Cowboy Song, Rosalie, The Boys Are Back In Town plus at least 1 early track. The encore included 1 verse/1 chorus from Sarah, Black Rose, Whisky In The Jar and another track. Excellent atmosphere, the place was sold out. The boys are back at the Point in December. Next on to crowd pleasers of a very different sort. M and I managed to get tickets for the sold-out Buena Vista Social Club show at Wales Millennium Centr...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

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