Skip to main content

A summer sojourn - in concert with the Caritas Ensemble

Cultural activities continued last night with The Caritas Ensemble's summer concert, A summer sojourn, at St Nicholas' Church in the Market Place. This was my first chamber concert in Durham, so I wasn't entirely sure what to expect, but the group's online description of their performances including lesser-known works caught my eye (as did their aim of raising money for local charities).

An audience of about 20-30 had assembled by the start of the concert, which began with a familiar work, Debussy's Syrinx for solo flute, setting the atmosphere for the evening. The lesser-known works were all in the first half, of which I most enjoyed Lennox Berkeley's Six Preludes - pianist Emily Murray performed 'moderato', 'lento' and 'allegro'. A clear debt to Debussy, but still extremely enjoyable. Less enjoyable, for me at least, were excerpts from Richard Rodney Bennett's Sounds and Sweet Aires - a very high quality performance but the works felt a little erratic; possibly the room acoustics (or I have very sensitive ears) but some of the oboe and flute parts were quite harsh at times! 

The second half of the evening was themed around song, with excerpts from various operas. Arne's setting of Where the Bee Sucks from The Tempest was excellent; the evening finished with an excerpt from Die Fledermaus - witty repartee between Eisenstein and Rosalinde. Hilariously funny and quite probably the audience favourite! 

A summer sojourn was raising money for local charity Heel and Toe, which provides conductive education 6 days a week to children with cerebral palsy, dyspraxia and other motor disorders, whilst reliant solely on donations and fundraising.

All in all a fun evening out and I look forward to more concerts in the city!          

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...