Skip to main content

Bank holiday fun: Hot Potato Records and Durham Streets

Laura Beth Salter
So far M and I are enjoying our new home in Durham - made it to see the Lindisfarne Gospels and had a fun trip in and around Alnwick. However for a pair of music fans the lack of a proper record shop is probably the biggest downside (although the lovely people at Spillers Records do have an online shop...). We were therefore very keen when I spied that the art & culture folk at Empty Shop were promoting a one-day pop-up record shop, Hot Potato Records.

Our first visit around midday saw the transformed premises (formerly used as Blockbuster on North Road) hosting a steady stream of customers browsing the racks of LPs and CDs from Newcastle based Reflex Records as well as labels Discount Horse, Box Records, Plan-It-X, Cruel Nature Records and more. Plus free tea and coffee! Enjoying the vibe and browsing away, between us we chose LPs by Sigur Rós, Bonobo, Black Rebel Motorcycle Club plus 5 curiosities from the bargain boxes. Mixed bag but 3 out of 5 good choices is pretty good! Particularly enjoyed the humour-full Lucy over Lancashire by Paul Rooney; and a very chilled Gallic electronic/lounge 10 inch entitled M Parvulesco by Symphony, about which Stereo Candies has a great article



Hot Potato Records
Strolling further around central Durham in tourist mode, we saw a few Streets performers near Elvet Bridge, including the excellent Laura Beth Salter after an ice cream at Split & Glory Ice Cream Parlour, swiftly followed by a small tipple at Hill Island Brewery. Returning to Hot Potato Records we caught Laura Beth performing a short set including a fun rendition of Milk Cow Blues. Her clear voice and mandolin-bases songs added to the relaxed, friendly vibe in the shop; new album Breathe is definitely worth investigating! 

Slowly but surely finding our feet.... 

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

Guitar week: Gitarrissima and Sean Shibe

Almost at the Christmas break and hectic as ever! This last week was a two-concerts week (with a Christmas party in the middle) and it was guitars all round. First up, on 11th December, were Gitarrissima of Vienna at Skipton Music . The quintet (reduced to a quartet on Tuesday due to illness) performed A Christmas Celebration - seasonal music and a very jolly evening all round. The group perform on a mixture of concert guitars, an octave guitar and an acoustic bass guitar and the sound is remarkably rounded, not necessarily to be expected for reductions of orchestral pieces. Each set of pieces was introduced by a different member of the group. In a lot of ways, Gitarrissima reminded me of Ukulele Orchestra of Great Britain with their clever arrangements of well-known pieces as well as musical excellence. The programme included excerpts (arranged by the group) of Bizet's Carmen , Tchaikovsky's Swan Lake and The Nutcracker, all of which were performed very well but som