Skip to main content

Early summer soiree: Alexandra Dariescu

The start of the summer season and Auckland Castle is open for visits, including the annual season of concerts organised and promoted by Bishop Auckland Music Society, the latest of which was held on Friday 16th May. A short drive along the scenic route took us to a very full Throne Room in the castle for a recital by rising star Alexandra Dariescu on piano. The programme, complete with short introductions from Alexandra, was themed around the development of the prelude through the ages.

The first half of the concert started with the extremes of Bach and Shostakovich to set the tone: Bach's Prelude and Fugue in B minor (Well Tempered Clavier Book 2 No. 24) followed by a selection from Shostakovich's Preludes Op. 24 - I particularly enjoyed Nos 3 and 6 - 6 in particular a somewhat witty representation of a pub band. Subsequent to this the audience was treated to a wonderfully beautiful performance of Scarlatti's Sonata in F minor, K 466 - a soft sobbing lament; and a well-structured performance of Beethoven's Piano Sonata No. 6 in F, Op. 10 No. 2, maintaining an emphasis on the humour within the piece across all 3 movements.

After the interval (in which we had a quick glimpse inside the chapel of Auckland Castle - including its historic organ) Alexandra performed - and was completely engrossed in -  the complete 24 Preludes Op. 28 by Chopin. A complete roller coaster of emotions, and also an opportunity to hear the lesser well known preludes as well as favourites such as the Raindrop Prelude (No. 15). An excellent performance; my only criticism is that the silences between each prelude were very short, with sometimes not enough time to absorb the preceding piece before Alexandra started the next.

On balance a fantastic evening's music - especially the Scarlatti sonata - with a beautiful sunset as well!  

 

Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments   in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

From Black Rose to Buena Vista

Two very different but equally impressive live experiences this last weekend. First up, our long overdue homage to the late, great Phil Lynott as Limehouse Lizzy returned to the Point on Friday 2nd March. Certainly on form (and not just lead singer Wayne Ellis, mmmm!) After a late doors, the band came on for a 2 hour set. They started off with Jailbreak (with added pyro), the rest of the main set comprising known songs like Dancing In The Moonlight, Warrior, Emerald, Johnny the Fox, Are You Ready, Killer On The Loose, Cold Sweat, Do Anything You Want To, Out In The Fields, Cowboy Song, Rosalie, The Boys Are Back In Town plus at least 1 early track. The encore included 1 verse/1 chorus from Sarah, Black Rose, Whisky In The Jar and another track. Excellent atmosphere, the place was sold out. The boys are back at the Point in December. Next on to crowd pleasers of a very different sort. M and I managed to get tickets for the sold-out Buena Vista Social Club show at Wales Millennium Centr...