Skip to main content

Brass: Fractal Sparks at Durham Cathedral

Something of a last minute plan but M and I had high hopes of the 18th July Fractal Sparks event based on information from the people at Brass: Durham International Festival. The show was billed as a multimedia spectacular featuring Jo Hamilton, Lanterns on the Lake, Durham County Youth Big Band (DCBB) and The Band of the Royal Corps of Signals

Arriving early at Durham Cathedral, the venue filled up in a relaxed manner, and was completely full by showtime. The event was effectively 2 concerts and the first concert featured Newcastle band Lanterns on the Lake with DCBB. This 45 minute-odd set was a very relaxed affair. We hadn't heard any Lanterns music before, but they have a keys/guitar/violin/drums setup mixing low-fi indie and post-rock sounds. The band seemed a little nervous (slightly limited stage talk) but we enjoyed the set. The songs which worked best with DCBB (and at least 1 song had been written especially for this concert) were 'To My Soul', 'Crawl' and 'Tricks'. The audience was very polite throughout (maybe also awed by the surroundings) but were very enthusiastic at the end of the set, especially for the DCBB.

After a rather long interval, we had complete darkness (and a few moments of complete, expectant silence) just before Jo Hamilton started her set. The visual aspect started off very well with a full-length screen behind the stage. The six members of the Signals were seated behind the screen with lighting used to highlight or hide them as the set went on. Initially the 'complete' concert worked well, but this second half then went downhill. We were no more familiar with Jo Hamilton's work, however after the first 15 minutes or so her songs started to become repetitive, with no structure for the evening, or harmonic/rhythmic development between songs. We found her vocal range limited but pushed; there was little or no melodic instrument line; the other band musicians (bass, synth/keys and drums) all looked very bored. After some excellent scenes (such as a cycle of blossoms falling from a tree - changing seasons) the visual works became rather tame and there were a few technical issues with the video. Jo's songs had not been sufficiently arranged to allow for brass accompaniment so there were rather fewer brass elements than many attendees would have liked. Indeed the general audience atmosphere changed from expectantly excited through to mildly bored, with applause becoming more muted. The high point of the second set was a trumpet solo about half way through. Superb solo, shame about the rest.

The concert was and remains a good thematic idea but the implementation didn't work out. We stayed until the end of the main set, however there were people leaving early; an unfortunate end to what had started out as an excellent evening.    

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...