Skip to main content

Monday magic - Martin Carthy at Old Cinema Launderette, 11th August 2014

Something of a pre-birthday treat, M and I were eagerly anticipating this Launderette concert featuring folk legend Martin Carthy with local support from Paul Liddell. Whilst still relative newcomers to the comings and goings of the UK folk scene, we were aware of Martin's history and status... quite excited come doors time!

A sold-out Launderette (which is around 30 people) was very appreciative of support artist Paul Liddell, who was a little nervous at playing totally unplugged in contrast to his professed use of live sampling in more 'regular' events. Nonetheless, a high quality and very entertaining set, featuring songs such as 'The Ends Of The Earth' and even an audience sing-along! 


Martin's set (or really, 2 sets with an interval - something like 2 hours of music) was an education as well as an experience. He introduced/contextualised each song with stories of where it came from/ musicians he'd heard playing it/ relating to current socio-economic-cultural trends/ other interesting anecdotes. Most of the songs were traditional (from all corners of the country and beyond) with a few instrumental 'tunes' thrown in. Some of the wide variety of songs included: 'Green Broom', 'Oor Hamlet', 'Prince Heathen', 'The Devil & The Feathery Wife', 'A Stitch In Time', 'Sir Patrick Spens'.

Examples of the 'tunes' include: 'The Fall of Paris', which features in many different folk traditions but is in fact French in origin; a retreat written by one of the 51st (Highland) Division whilst in a POW camp after St Valery during World War 2. The encore/farewell was a humourous version of Anton Karas''Cafe Mozart Waltz'. 

A tremendous evening of music and tales thoroughly enjoyed by all! Since Monday's concert, I have also started digging through the excellent The Full English digital archive, which features historical notes, manuscrips and more. A real treasure trove!

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

Guitar week: Gitarrissima and Sean Shibe

Almost at the Christmas break and hectic as ever! This last week was a two-concerts week (with a Christmas party in the middle) and it was guitars all round. First up, on 11th December, were Gitarrissima of Vienna at Skipton Music . The quintet (reduced to a quartet on Tuesday due to illness) performed A Christmas Celebration - seasonal music and a very jolly evening all round. The group perform on a mixture of concert guitars, an octave guitar and an acoustic bass guitar and the sound is remarkably rounded, not necessarily to be expected for reductions of orchestral pieces. Each set of pieces was introduced by a different member of the group. In a lot of ways, Gitarrissima reminded me of Ukulele Orchestra of Great Britain with their clever arrangements of well-known pieces as well as musical excellence. The programme included excerpts (arranged by the group) of Bizet's Carmen , Tchaikovsky's Swan Lake and The Nutcracker, all of which were performed very well but som