Skip to main content

Another fun first! - residential course at Jackdaws

After a few years of looking at music summer school listings, I took the plunge and tried a residential music course in Somerset. The provider, Jackdaws Music Educational Trust, runs one day and weekend courses for adult participants as well as educational projects in-house and in local schools.

The course I decided to try was 'The Pianist Within' with Elena Riu, faculty professor at Trinity Laban and creator and collaborator of many genre-bending releases (to judge from her online bio available on her website).

There were 9 of us on the course and it was a very relaxed, friendly atmosphere. Indeed I met one fellow pianist at Frome station whilst waiting for a taxi! I had a B&B in Great Elm, a short walk from Jackdaws and the village was really nice. Music mixing in with birdsong, the river bubbling away, the odd horse and rider - very tranquil. We even had a day of summer on the Saturday! I also realised I knew one of the other pianists - it's a very small world...
 
The format of the course was masterclass-style, with yoga/relaxation sessions as well. The yoga sessions were not asana-based, but a series of breathing and relaxation movements suited to all attendees.
Friday evening's session was an intro-icebreaker-short play where each person had 15 minutes of play/tuition, followed by a relaxing yoga session then supper (we were all ravenous at that point!). Saturday was more formal, with about 30 minutes per person with 2 yoga sessions and an afternoon break. After a shorter morning session on Sunday we had an afternoon concert which was a really nice end to the weekend. The 9 pianists were at a variety of levels (piano and confidence) but worked really well together. The range of repertoire was really interesting - lots of more modern repertoire, Latin American composers - a good mix and very few 'great master' type pieces. We were all in love with the main Jackdaws piano (a very lovely Steinway) and it was a treat to play.

Another attendee who had been to Jackdaws before warned me about the food. The catering is superb! I could get used to fresh cakes and three course meals every day....

By the time I got back on the train (with 2 fellow musicians travelling the same direction) my brain - and notebook - were full of tips and new ideas. I now need to rewrite/organise my notes, but I have a lot of ideas with which to move forward. Roll on the next course!

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...

ECM+ Generation 2012 plus Voltaire and Frederick

I bought tickets for last night's ECM+ Generation 2012 concert, featuring Ensemble Contemporain de Montréal, at the NAC 4th Stage in an 'it'll be interesting' frame of mind, and interesting was just the start. A very full 4th Stage for a very entertaining and intruging evening. In order of performance, the four new works were: Animaris Currens Ventosa by Marielle Groven ; Ninavanjali by Gabriel Dharmoo ; Beatitude by Riho Esko Maimets ; and Jenny's last rock by Annesley Black . Each performance was preceded by a Q&A with host Nicholas Gilbert, who injected the whole evening with humour. In terms of immediate response, I most enjoyed Beatitude , a concise, intimate and very beautiful concerto for violin and ensemble. Following on from Maimets' explanation, his references to choral music and music of all different time periods were clear. This piece would easily sit alongside more 'traditional' chamber repertoire in a programme.  Maimets...