Skip to main content

Piano Network UK event, 12th November

About a year ago I was invited to join the Facebook group Piano Network UK. The group is for pianists, teachers, composers, promoters, tuners, journalists: anyone with a specific interest in the UK piano scene. A very friendly bunch, as shown by the 'launch event' held in London last Thursday, 12th November. 

The event was initially booked months ago and in the meantime my diary has become very full - such that 3 hours each way to London and back became valuable downtime!  I had also booked an audience ticket rather than performer - it would have been great to perform, but a good decision in the end as I had (still have!) no brain space to prepare anything at the moment.

The meetup was held in 1901 Arts Club which is a really small, intimate venue just next to Waterloo station - along one of those curious super-narrow London streets. The ground floor was our performance space for the evening; upstairs there is a cozy bar and lounge.

Once we got started, the vibe was very much a piano group atmosphere. No pre-announced programme; Network founder/organiser Andrew called up performers, who each announced their piece; fellow organiser Lorraine was documenter-in-chief (photos and set list) Very relaxed and friendly with a generous interval/drinking time.

The repertoire choice was fabulous! A good few 'own composition' pieces (by way of explanation, 3 of the performers are/have been affiliated to The Piano Cloud, an online grouping for creative pianists) and a great selection of more traditional repertoire, as follows below. All of the own-composition pieces were superb, really atmospheric. The performances of pieces by Ireland, Scott, and Mayerl in particular captured my attention; definite ones to investigate for further listening. 

Setlist:

Andrew - Departures (own composition)
Nikolas Sideris - The King and the Dragon/The Deaf Girl's Music Box/The Cook and The Duke from "Fairyland in Treble" by Nikolas Sideris
Anne  - John Ireland The Island Spell
Peter  - Chaminade Concert Etude Pathetique
Claire  - Cyril Scott Lotus Land
Ed - Hope (own composition)
Jane - Shostakovich Preludes op.34 nos. 3 & 19
Liz  and Mark  - Rachmaninov Vocalise
Luke  - own improvisation
Marie  - Billy Mayerl Railroad Rhythm
Martin  -
Nocturne (own composition)
Zheer - Ludovico Einaudi Divinere  


Great listening, and I had a fantastic time chatting to friends old and new! Just about made the train back home....

Comments

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

From Black Rose to Buena Vista

Two very different but equally impressive live experiences this last weekend. First up, our long overdue homage to the late, great Phil Lynott as Limehouse Lizzy returned to the Point on Friday 2nd March. Certainly on form (and not just lead singer Wayne Ellis, mmmm!) After a late doors, the band came on for a 2 hour set. They started off with Jailbreak (with added pyro), the rest of the main set comprising known songs like Dancing In The Moonlight, Warrior, Emerald, Johnny the Fox, Are You Ready, Killer On The Loose, Cold Sweat, Do Anything You Want To, Out In The Fields, Cowboy Song, Rosalie, The Boys Are Back In Town plus at least 1 early track. The encore included 1 verse/1 chorus from Sarah, Black Rose, Whisky In The Jar and another track. Excellent atmosphere, the place was sold out. The boys are back at the Point in December. Next on to crowd pleasers of a very different sort. M and I managed to get tickets for the sold-out Buena Vista Social Club show at Wales Millennium Centr...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .