Lunchtime Harp: Hugh Webb at Leeds

Bright sunshine and another excellent lunchtime concert. This time the programme was a selection os solo harp pieces with Hugh Webb performing. Hugh was a charming presenter as well as performer, providing interesting information behind his programme of 20th century harp music (but then, according to Hugh, the concert harp is a 20th century instrument).

The programme started with the evocative En France by Marcel Tournier. Sounds of the sea - very nice anticipation of summer. Then came Benjamin Britten's Interlude from Ceremony of Carols - a clear sonic difference from Tournier, very simple and direct. Colin Matthews' Little Suite for Harp was possibly my favourite piece of the hour - 3 short movements (march, barcarole, toccata) with preludes in between - from sublime to angular. Similar to the Peter Moore lunchtime concert, the programme here demonstrated the wonderful range of the instrument.

Robert Keeley's Farid left me behind a little, but Hugh's own piece Tone, tone, semitone and some jazz flourishes to end an excellent concert. I floated back to work - thinking One day... one day... I would love to learn this instrument...

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Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

New talent at Southminster

As a follow-on from last weekend's excellent Chopin concert, there is an afternoon of New Artists from the NAC's Summer Music Institute at Southminster United Church on 17th June. Entitled 'Dover Beach and other works for summertime', the concert features new artists Katarzyna Sadej , Emily Nenninger , Drew Santini, Hannah Min, Paul Casey , Karen Kang and Bryan Wagorn. I had the chance to hear Bryan Wagorn at one of University of Ottawa's Concerts at the NAC 4th Stage concerts back in February and thoroughly enjoyed his performance. The proposed programme is very enticing: MENDELSSOHN String Quartet No. 2 in A minor, Op. 13 MONIUSZKO Sen (The Dream) Prząśniczka (Spinner Girl) SZYMANOWSKI Lecioły Zórazie (The Swans Were Flying) Ściani Dumbek (The Dark Forest) CHOPIN Piosnka Litewska (Lithuanian Folksong) Moja Pieszczotka

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