Ólafur Arnalds at the Royal Albert Hall

Continuing the music theme and fresh from GNUF, next stop the Royal Albert Hall! What a way to experience my first RAH event than with Ólafur Arnalds!

Just going in to the building, there was an incredible atmosphere. Stopped off at the Berry Bros & Rudd bar en route to our seats.

A short support set by composer/percussionist Manu Delago, who was very impressive. Initially I thought he was playing some variant of steel drums, but in fact it was an array of Hang, which are great! A really lush, warm sound.

Ólafur's mix of strings, piano with multimedia felt at home in the 'orchestral' setting of the Hall (nearly Proms season!), in particular given that the set was all instrumental pieces. It was interesting to see the sheer variety of people who all have being an Ólafur Arnalds fan in common. I find that a lot of Ólafur's magic is in the silences and spaces in between notes, and a few times there were audience interruptions - but also, a lot of times when the whole hall was completely still and silent. The set was a mixture of new new songs (so new only re:member is currently available - streaming and YouTube), along with older and newer recorded material. All equally brilliant. A lot of the new technology on set involved algorithms matching the lighting setup with the songs. The atmosphere was both big and intimate, although a different intimacy from that of his 2013 Barbican show.

Even though it was all brilliant, one of the best of the best bits was the final encore - Ólafur played Lag Fyrir Ömmu alone on stage with his band playing the string parts offstage almost as an echo. Just gorgeous.

Comments

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

PrettyInScarlett

Search This Blog