Skip to main content

austraLYSIS and VRi - new music at Leeds

The first few concerts in the new season of events at University of Leeds School of Music have been incredibly varied.

The first concert I saw was from folk band VRi. The string trio performed a mixture of traditional Welsh songs and original compositions. Describing themselves as 'chamber folk', their songs varied from simple voice and accompaniment to foot-tapping energetic numbers (sadly no room for dancing in the Clothworkers' Concert Hall...) exploring Welsh folk but with an art music angle, as well as other folk traditions, with a lot of the music on their new album referencing the Welsh chapel tradition. Absolutely worth a further listen and their music is available on Bandcamp.

Fast forward a week to something altogether different. austraLYSIS: Torbjörn Hultmark & Roger Dean with soprano trombone, piano and live electronics. Riveting to watch their live electronics! I really enjoyed the piece about Metamorphosis for Time and Space - dots, lines, ?, volume - sound of science and it really felt like we were listening to the warp of space or the bending of time. A few mellower pieces including a Chaconne. However one piece featuring video was very odd. I couldn't reconcile the video with the concurrent live music.
 
Torbjörn had a circle of pedals to use with Ableton Live and other software, many of the pedals customised or custom made as he uses both hands for the trombone. Some are on/off some change by degrees; and no shoes! The soprano trombone already sounds very non 'trombone -like' and with some of the effects, the sound world generated was very far from the petite instrument we could see.
 
There are some sound and video links on Torbjörn's website as well as on the austraLYSIS page.

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...