PrettyInScarlett

The programme for Angela Hewitt 's latest NAC concert on 3rd November started with a difference: Hewitt's recital was after the interval and not before. In addition, the first auditory experience was the supposedly least-accessible of Sibelius' symphonies, Symphony No. 4 in A minor, Op. 63 . Prior to the performance I was completely unfamiliar with this piece, but no less interested in hearing the NACO's premiere performance.  The programme notes describe the piece as both severe and stern. After hearing even the first few minutes of the symphony, I beg to differ: these terms seem to be excessively negative. I prefer 'spare elegance', especially in relation to the first and third movements. The piece may have its bleak moments but, especially in the hands of the NACO, the resulting sound is smooth, measured and very beautiful. Having heard quite a bit of more recent Nordic music, Sibelius' influence on modern bands is clear. Unfortunately, a fair few ...

After Vinyl Tap Stories, the exciting mix of music and words at this autumn's Writers Festival kept the audience enthralled. I didn't see the Marshall McLuhan Centenary event on Friday 21st October, but heard some of the accompanying music by Hilotrons ' Mike Dubue. The Marshall McLuhan Concerto , performed on cello, electric guitar, vibraphone with effects, was indeed captivating.  Moving straight into the following event, Musical Language: The Songwriting Circle (presented by CBC's Alan Neal ) proved very popular; Louise Burns , Ann Vriend , Matthew Barber and Emm Gryner together supplied first-class entertainment; Ambre Mclean was also there to perform 'So Over', the winning song from the All In A Day competition . Fitting in with the theme, they are all singer-songwriters, but within that the songs showcased on Friday encompassed indie-folk-alt country, different styles of guitar accompaniment and piano-based songs. Out of all 4, I most enjoyed Ann ...

In anticipation of this autumn's Writers' Festival M and I headed out to Southminster United Church for ' Vinyl Tap Storie s' with the legendary Randy Bachman . Known to me by reputation through songs such as 'You Ain't Seen Nothing Yet' but without having heard his Vinyl Tap radio programme, it was interesting to see and hear the man behind the hits. Southminster United Church looked pretty much full as 7pm came and host Laurence Wall came onstage. The evening started by scene setting in 1960s Winnipeg and covered Bachman's early musical life with plenty of humourous 'on the road' stories. Most of the remaining time was spent discussing the origins of songs such as 'American Woman' and 'Taking Care of Business'. A very appreciative audience warmly applauded anecdotes and snippets of music. The 'B.B. King story' was one of my particular favourites, as well as the 'piano man' story related to 'Taking Care...

After my hectic July and more relaxed August, M and I saw out the summer with a trip to Folkfest yesterday (Day 3). Initially tempted to attend by Basia Bulat's inclusion on the Ravenlaw stage, we had a fun and relaxing day in the sun. I now know more about banjos than I did on Friday, thanks to the afternoon workshops; we also saw the end of the Song Maps workshop.  The Moon stage - The Little Stevies As a Folkfest first timer, I can't comment on the new site vs old site, but there is certainly plenty of room at Hog's Back Park. Our only real complaint features the main CUPE/SCFP stage area. Whilst the rest of the site had a great laidback, fun vibe, the CUPE/SCFP stage was much more anonymous and less laid-back. The division of the main stage audience area into (presumably) VIP/seating and general was quite weird. Whilst the Moon stage  - smaller acts from other stages doing short inbetweeny sets - is a great idea, the CUPE/SCFP stage just wasn't inviting. The...

Now both chamber festivals are over, I've finally had a chance to sit back and relax! As to which festival I most preferred, Music and Beyond and Chamberfest serve slightly different audiences and purposes; I found both immensely enjoyable. Chamberfest had the edge on big name stars, for example both Simone Dinnerstein , Marc-André Hamelin and Anton Kuerti on the piano side, along with groups such as the Nash Ensemble of London . Like Music and Beyond, I didn't go to a bad concert (there was some concert-goer discussion about the merits of Dinnerstein but I missed that show) so picking a clear favourite is difficult! In terms of innovation, Chamberfest's Late Night at the Kildare series was brilliant, with a wide range of 'fringe' chamber music. Cello grunge (courtesy of the Samurai String Squad ), Lara St. John performing Stomp! and Starbachs: The Coffee Cantata were all fantastic. It's a great breakout too - smaller audience, more intimate feel, slight ba...

All of a sudden I am now covering Chamberfest for The Festival Goer as well. No complaints here! Another varied festival program with some very interesting sounding concerts. Cello grunge? Yes, the Samurai String Squad are performing a late night 'classical grunge set'. New artists, new music and free events too - including New York's Asphalt Orchestra. The programme can be viewed online ; further details about the Asphalt Orchestra's street performances in Byward Market will be posted onto Chamberfest's Facebook page . Check The Festival Goer for further updates.

The whirlwind that was Music and Beyond has now finished. My final tally was 24 events, pretty much all of them excellent. Perhaps the only disappointing show was Don Campbell's 'Beyond the Mozart Effect', which whilst having excellent musical performances, was rather more an illustrated history of Mozart than an evening about The Mozart Effect . Top marks to Igudesman and Joo for their hilarious 'A Little Nightmare Music' - I highly recommend their online videos! Of the more traditional style concerts, The Jupiter String Quartet were amazing, as was Stéphane Lemelin, who looked and sounded as if he was having a great time. The Music from Turkey concert with Tahir Aydoğdu on kanun was riveting and highly entertaining, as well as the 'tango' concert from Les Violons du Roy and Tango Boreal. From the closing gala, I also really enjoyed Marc Djokic's performance from Richard Mascall's Labyrinth . Reminded me of Nicolas Bolens ' Tempus Fugit . ...