Now the last note has died away

The whirlwind that was Music and Beyond has now finished. My final tally was 24 events, pretty much all of them excellent. Perhaps the only disappointing show was Don Campbell's 'Beyond the Mozart Effect', which whilst having excellent musical performances, was rather more an illustrated history of Mozart than an evening about The Mozart Effect. Top marks to Igudesman and Joo for their hilarious 'A Little Nightmare Music' - I highly recommend their online videos! Of the more traditional style concerts, The Jupiter String Quartet were amazing, as was Stéphane Lemelin, who looked and sounded as if he was having a great time. The Music from Turkey concert with Tahir Aydoğdu on kanun was riveting and highly entertaining, as well as the 'tango' concert from Les Violons du Roy and Tango Boreal. From the closing gala, I also really enjoyed Marc Djokic's performance from Richard Mascall's Labyrinth. Reminded me of Nicolas Bolens' Tempus Fugit.

My last mention goes to Rachel Barton Pine and Menahem Pressler. Pine's Classical Heavy Metal show at the Mayfair Theatre was brilliant. She explained some of the links between classical music (especially violin) and heavy metal with performances of works by AC/DC, Metallica, Led Zeppelin, Rush and more. Extremely versatile, Pine's two concerts with Menahem Pressler were also first rate, and I think many concertgoers will remember Pressler's lecture about Brahms' Piano Quintet in F minor for a long time to come.

A few days rest before ChamberFest starts... so far I have plans to see the Cecilia String Quartet and Marc-André Hamelin.

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Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

Guitar week: Gitarrissima and Sean Shibe

Almost at the Christmas break and hectic as ever! This last week was a two-concerts week (with a Christmas party in the middle) and it was guitars all round. First up, on 11th December, were Gitarrissima of Vienna at Skipton Music . The quintet (reduced to a quartet on Tuesday due to illness) performed A Christmas Celebration - seasonal music and a very jolly evening all round. The group perform on a mixture of concert guitars, an octave guitar and an acoustic bass guitar and the sound is remarkably rounded, not necessarily to be expected for reductions of orchestral pieces. Each set of pieces was introduced by a different member of the group. In a lot of ways, Gitarrissima reminded me of Ukulele Orchestra of Great Britain with their clever arrangements of well-known pieces as well as musical excellence. The programme included excerpts (arranged by the group) of Bizet's Carmen , Tchaikovsky's Swan Lake and The Nutcracker, all of which were performed very well but som

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