PrettyInScarlett

Two very contrasting concerts to continue December's music madness. First, another U Ottawa School of Music concert, 'Piano Duets and Duos' on 7th December. 17 performers under the direction of Frédéric Lacroix presented a variety of well-known and lesser known pieces arranged for four, six, eight and twelve hands on 1 or 2 pianos. Whilst Rheinberger's transcriptions of J.S. Bach's Goldberg Variations were the headline pieces, I preferred some of the other pieces, such as Rachmaninoff's Romance and the comedy of Lacroix's arrangement Für Malcolm in homage to Beethoven's Für Elise . A fun festive treat for the  appreciative crowd in Tabaret Hall.  Having missed their last few shows (including the 360 show at the Elmdale that won Best Live Show 2011 in Ottawa Xpress ), it was interesting to see The PepTides again and in a different venue. Whilst atmospheric, the stage area at Mercury Lounge seemed a bit cramped. In the support slot, the excellent D...

After Karkwa's excellent show on Thursday, we were eagerly awaiting the triple bill of Austra , Young Galaxy and Tasseomancy on Saturday 3rd... not to mention Feist! We first saw Tasseomancy in April supporting Timber Timbre ; I was impressed by them then. This time, the songs were still excellent (I've since listened to their new album Ulalume , which is superb) but their dreaminess seemed a tiny bit lost in Ritual.  They had a reasonable reception but I'm not sure how many concertgoers were familiar with their stuff. Young Galaxy In my mind Young Galaxy were equally as big a draw as Austra. Definitely an eagerly awaited set after muptiple spins of Shapeshifting ! Like Tasseomancy, Young Galaxy were limited to 30 minutes of performance; starting with 'Blowminded' and 'Long Live The Fallen World' certainly charged up the crowd! The rest of the set included songs like 'Peripheral Visionaries', 'We Have Everything' and 'Cover Y...

As a precursor to a busy December and something of an impromptu idea, we attended U of O School of Music 's Wind Ensemble concert on 25th November, featuring Victor Herbiet on saxophone. Wind ensembles are something of a rarity in our (classical) concert calendar, so it was interesting to find that most of the programme was 20th century. To suit the Friday evening mood, the first piece performed was Edward Gregson's Festivo , with it's jaunty edge - almost like the opening movement to a classic film. Much of the evening's performance was of exciting, engaging music. True to Steven Mazey's pre-review, Herbiet's solo in Claude T Smith's Fantasia for Alto Sax was superb, with a 'sax solo' interlude reminiscent of (or maybe inspiring) electric guitar solos. A high level of musicianship all round and on this basis, much of the 2011-12 season should be very good! A forthcoming concert that has caught my attention is the School of Music's Piano Duets...

The programme for Angela Hewitt 's latest NAC concert on 3rd November started with a difference: Hewitt's recital was after the interval and not before. In addition, the first auditory experience was the supposedly least-accessible of Sibelius' symphonies, Symphony No. 4 in A minor, Op. 63 . Prior to the performance I was completely unfamiliar with this piece, but no less interested in hearing the NACO's premiere performance.  The programme notes describe the piece as both severe and stern. After hearing even the first few minutes of the symphony, I beg to differ: these terms seem to be excessively negative. I prefer 'spare elegance', especially in relation to the first and third movements. The piece may have its bleak moments but, especially in the hands of the NACO, the resulting sound is smooth, measured and very beautiful. Having heard quite a bit of more recent Nordic music, Sibelius' influence on modern bands is clear. Unfortunately, a fair few ...

After Vinyl Tap Stories, the exciting mix of music and words at this autumn's Writers Festival kept the audience enthralled. I didn't see the Marshall McLuhan Centenary event on Friday 21st October, but heard some of the accompanying music by Hilotrons ' Mike Dubue. The Marshall McLuhan Concerto , performed on cello, electric guitar, vibraphone with effects, was indeed captivating.  Moving straight into the following event, Musical Language: The Songwriting Circle (presented by CBC's Alan Neal ) proved very popular; Louise Burns , Ann Vriend , Matthew Barber and Emm Gryner together supplied first-class entertainment; Ambre Mclean was also there to perform 'So Over', the winning song from the All In A Day competition . Fitting in with the theme, they are all singer-songwriters, but within that the songs showcased on Friday encompassed indie-folk-alt country, different styles of guitar accompaniment and piano-based songs. Out of all 4, I most enjoyed Ann ...

In anticipation of this autumn's Writers' Festival M and I headed out to Southminster United Church for ' Vinyl Tap Storie s' with the legendary Randy Bachman . Known to me by reputation through songs such as 'You Ain't Seen Nothing Yet' but without having heard his Vinyl Tap radio programme, it was interesting to see and hear the man behind the hits. Southminster United Church looked pretty much full as 7pm came and host Laurence Wall came onstage. The evening started by scene setting in 1960s Winnipeg and covered Bachman's early musical life with plenty of humourous 'on the road' stories. Most of the remaining time was spent discussing the origins of songs such as 'American Woman' and 'Taking Care of Business'. A very appreciative audience warmly applauded anecdotes and snippets of music. The 'B.B. King story' was one of my particular favourites, as well as the 'piano man' story related to 'Taking Care...

After my hectic July and more relaxed August, M and I saw out the summer with a trip to Folkfest yesterday (Day 3). Initially tempted to attend by Basia Bulat's inclusion on the Ravenlaw stage, we had a fun and relaxing day in the sun. I now know more about banjos than I did on Friday, thanks to the afternoon workshops; we also saw the end of the Song Maps workshop.  The Moon stage - The Little Stevies As a Folkfest first timer, I can't comment on the new site vs old site, but there is certainly plenty of room at Hog's Back Park. Our only real complaint features the main CUPE/SCFP stage area. Whilst the rest of the site had a great laidback, fun vibe, the CUPE/SCFP stage was much more anonymous and less laid-back. The division of the main stage audience area into (presumably) VIP/seating and general was quite weird. Whilst the Moon stage  - smaller acts from other stages doing short inbetweeny sets - is a great idea, the CUPE/SCFP stage just wasn't inviting. The...