Skip to main content

'West End' extravaganza

A short break from Music and Beyond took M and I to The Elmdale Tavern for another gig by The PepTides (of Jazzfest fame). Firstly, it was very refreshing for us Brits to find a 'pub' style bar venue, where one can buy a drink at the bar without getting funny looks. Big tick. We arrived earlier than the show start time, which turned out to be fortuitous, as the stage area had been rearranged to accommodate singers + band. Quite a few people were standing at the back by showtime. The whole place had been decked out in quirky vintage gear, from old radios lining the stage to bakelite-style telephones (the ones with a rotary dial - a real blast from the past).

The PepTides
The PepTides did not disappoint, earning raucous applause from the crowd. Having listened to FTHHHI (albeit only once - busy busy!) and now having seen them again, the structure of the songs and lyrics becomes clearer. You either 'hear' and boogie along without necessarily finding the deeper meaning of some lyrics, or 'listen' and understand more about the group as an 'art project' -akin to either hearing or listening to someone like Scissor Sisters or Pulp (I borrowed that phrase from an interview given to Tony Martins at Guerilla magazine).

M's take on the show (as he had not seen the JazzFest concert) was that the musical style of The PepTides was somehow 'transeclectic': hints of James Brown, Motown and blues rock with a twist of Buena Vista Social Club. 
The excellent backing musicians

It is also refreshing to see a 'local' band with a solidly polished show. That goes for the singers and musicians - the 'backing band' behind The PepTides are themselves extremely good. 

Methinks another trip to Compact Music may be due to find North Hero (simultaneously released with FTHHHI) and/or their 2007 release I'm A Spy. 

A final note - the Glebe Business Improvement Area (BIA) is sponsoring the We Dig The Glebe promotion, where every purchase along the Glebe stretch of Bank Street makes you eligible for weekly prize draws. 

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Lang Lang: a little bit of stardust in Southam Hall

Lang Lang with Anita Pari Like many National Arts Centre regulars, the idea of a Lang Lang concert sounded fantastic... except that for me the Gala tickets are rather too expensive. As a result the turnout for today's masterclass with young artists Anita Pari (Ottawa), Alexander Malikov (Calgary), and Tina Chong (Banff) in Southam Hall was pretty good. No surprises that there were photographers and a TV camera all over the stage... so much so that during Lang's analysis of Malikov's rendition of  Transcendental Étude No 8 'Wild Hunt' (Liszt), someone shouted at the cameraman to move. To my mind they seemed a little intrusive on the performances, but none of the artists seemed to take any notice. Lang Lang with Tina Chong Up first and for me the best performance was Anita Pari with the captivating Ballade No 1 by Chopin. In comparison, Malikov's performance did not have anywhere near as much projection. Final performer Tina Chong seemed

Guitar week: Gitarrissima and Sean Shibe

Almost at the Christmas break and hectic as ever! This last week was a two-concerts week (with a Christmas party in the middle) and it was guitars all round. First up, on 11th December, were Gitarrissima of Vienna at Skipton Music . The quintet (reduced to a quartet on Tuesday due to illness) performed A Christmas Celebration - seasonal music and a very jolly evening all round. The group perform on a mixture of concert guitars, an octave guitar and an acoustic bass guitar and the sound is remarkably rounded, not necessarily to be expected for reductions of orchestral pieces. Each set of pieces was introduced by a different member of the group. In a lot of ways, Gitarrissima reminded me of Ukulele Orchestra of Great Britain with their clever arrangements of well-known pieces as well as musical excellence. The programme included excerpts (arranged by the group) of Bizet's Carmen , Tchaikovsky's Swan Lake and The Nutcracker, all of which were performed very well but som