Skip to main content

Earthen Grave

Mark Weiner


As part of Ottawa chamber music and multi-disciplinary festival, tonight we went to see... a heavy metal band. Yes, Chicago doom band Earthen Grave performed at Saint Brigid's Centre for the Arts. The link comes by their resident violinist, classical (and metal) virtuoso Rachel Barton Pine. A very refreshing evening, as we haven't been to a dirty-guitar live gig in far too long. Not that I am criticising the excellent Apocalyptica!

It seems that something got lost in the promotion, as Saint Brigid's wasn't that full and most of the audience were festival-goers, though this was somewhat balanced by the very enthusiastic metalheads at the front. We did find it rather weird to go to a metal gig in a former church that is still very much a church (plus no alcohol), though there was sufficient space to stand near the stage rather than remain seated. Most of the set comprised songs from the band's self-titled album, though there were covers of Trouble's 'At The End of My Daze' and Black Sabbath's 'Children of the Grave'. Rachel's violin solos and extended riff mid-set drew enthusiastic applause. Frontman Mark Weiner did a very good job of energising the crowd - a predominantly non-metal crowd, sat down - such that by the time 'Children of the Grave' rang out there were a fair few people near the front.
Jason Muxlow
Rachel Barton Pine

All in all an evening of good fun; I can recommend both the band and the album. In particular, having a violinist (and such an instrument - an extended range violin called the Viper) Following on from last year's Classical Heavy Metal night, the festival have the right idea, but maybe more cross-promotion is needed, either with Bluesfest, Spectrasonic, Punk Ottawa or someone similar.  
Labels:

Comments

Post a Comment

Popular posts from this blog

Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...
Post a Comment
Read more

Sounds of JUNOfest

Classical JUNOs performers Something of a musical melange weekend but an excellent set of events! Eschewing some of the bands and artists we knew, we chose less familiar sounds for our JUNOfest experience. First up was the Classical JUNOs in Concert event at the National Arts Centre , featuring both nominated performers and composers. The mix of contemporary music was brilliantly played by Christina Petrowska Quilico , Susan Hoeppner , Heather Schmidt and the New Orford String Quartet . Quilico amazed the almost 100-strong audience with her performance of Derek Charke's Sepia Fragments   in a reduction for piano; I found this piece a really captivating mix of earthly and ethereal elements. Quilico's second performance was of Ann Southam's Glass Houses No. 5 , an hypnotic piece which sounded both fiendishly difficult to play but also very clean and unembellished. Susan Hoeppner's excellent performance of Eldin Burton's Sonatina for Flute and Piano got the po...
Post a Comment
Read more

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .
4 comments
Read more