Music and Beyond 2012

The last 12 days have been an enjoyable musical experience. If anything I'd say that this year's concerts were even better than 2011. My highlight of the festival definitely goes to the four-part cycle The Rivered Earth created by Vikram Seth and Alec Roth. It's always good to hear new and different works alongside more 'regular' repertoire, and these four works were stupendous: Songs in Time of War; Shared Ground/Ponticelli; The Traveller; and The Seven Elements/The Hermit on the Ice. The first two are available as recordings on the Signum label. They are predominantly vocal-led works, but varying between small and large choirs and tenor solo; the accompaniment from violin, harp, guitar, small string ensemble and piano. The solo violin suite Ponticelli and violin/piano suite The Seven Elements are amazing. Ponticelli is available on CD or download and would appeal to lovers of Ólafur Arnalds or Amiina.

In other concerts, Menahem Pressler was wonderful as always, but the thematic concerts seemed to stand out: an evening of music and dance; Inspired by Music, an event with new artworks created to match specific pieces of music; and an afternoon of Jewish Composers Through the Ages.

Photos are available here. Next?! I am hoping to attend some of the free concerts at Ottawa Chamberfest...

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Music, Poetry and Cake (Gateshead and Lanchester)

Piano at the ready! (by M) After a good few months prep, the concert Piano Music and Poetry (organised through the Gateshead Piano Workshop folks) came around pretty quickly. As one of the participants, I was excited and also a little nervous about the prospect of a Paying Audience. The work paid off, as all the performers were excellent! Well appreciated by the compact audience. The format was in relation to National Poetry Day which was on 2nd October. Each performer chose a poem either in direct or indirect relation to their piece. A summary of the programme: Alan - Liszt Consolation No 4 and Mozart Adagio in B minor Graeme - Chopin Nocturne Op. 62 No. 2 with 'Uncertainty' by Adam Mickiewicz me - Clara Schumann, andante con sentimento with 'Clara Wieck und Beethoven' by Franz Grillparzer Jim - R Schumann Kinderszenen 1 and 7 with 'My child, we were just children' by Heinrich Heine Ernie - Debussy Clair de lune with excerpt from 'Fêtes g...

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Piano salons

Catching up on LinkedIn after a vacation, I came across a link for The Saturday Piano Salon . This caught my eye as I organise and attend an adult amateur piano group here in Ottawa. The Saturday Piano Salon, based in London, is an impressive step up from our friendly afternoons, giving amateur (and semi-professional, according to their site) pianists an opportunity to perform on a Steinway Model D at Steinway Hall. I read the review of their first Saturday event with interest. Maybe next time I find myself in London...

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