Music and Beyond 2012

The last 12 days have been an enjoyable musical experience. If anything I'd say that this year's concerts were even better than 2011. My highlight of the festival definitely goes to the four-part cycle The Rivered Earth created by Vikram Seth and Alec Roth. It's always good to hear new and different works alongside more 'regular' repertoire, and these four works were stupendous: Songs in Time of War; Shared Ground/Ponticelli; The Traveller; and The Seven Elements/The Hermit on the Ice. The first two are available as recordings on the Signum label. They are predominantly vocal-led works, but varying between small and large choirs and tenor solo; the accompaniment from violin, harp, guitar, small string ensemble and piano. The solo violin suite Ponticelli and violin/piano suite The Seven Elements are amazing. Ponticelli is available on CD or download and would appeal to lovers of Ólafur Arnalds or Amiina.

In other concerts, Menahem Pressler was wonderful as always, but the thematic concerts seemed to stand out: an evening of music and dance; Inspired by Music, an event with new artworks created to match specific pieces of music; and an afternoon of Jewish Composers Through the Ages.

Photos are available here. Next?! I am hoping to attend some of the free concerts at Ottawa Chamberfest...

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Angela Hewitt Week, 14th-20th May 2012

I just received information from a friend about Angela Hewitt Week in Ottawa, 14th-20th May as declared by Mayor Jim Watson. Ms Hewitt is performing with Chamber Players of Canada on Friday 18th May; there will also be An Afternoon With Angela Hewitt on 20th May at the National Arts Centre hosted by the Canadian Friends of the Trasimeno Music Festival .

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

The Venezuelan maestro comes to Cardiff

A highly anticipated evening of entertainment for M and I, we headed to St Davids Hall to see the conductor of the moment, Gustavo Dudamel , conduct the Philharmonia Orchestra . Highly entertaining, too, and the place was pretty full, though possibly not sold out. We had anticipated the first piece to be Antonio Estevez' 'Mediodia en el llano', but a last minute change meant the first work was (I believe - the posters up in the venue were rather short on info!) Berlioz' Roman Carnival. Initially we may have been a tad disappointed but the replacement work was excellently peformed, cue many smiles. Unfortunately, the smiles soon evaporated, as the second, and for us, least interesting piece, was Mozart's Piano Concert No.17 K453 with Emanuel Ax on piano. M described Ax as mellow, I described him as dull. That may be because neither of us are really into Mozart, but compared to previous visits to St Davids Hall to see pianists Noriko Ogawa and Freddy Kempf, we really...

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