Skip to main content

Fabulous Folkworks at Old Cinema Launderette - Eliza Carthy, Saul Rose, Sarah Hayes

Sarah Hayes
Within an increasingly busy schedule (again arriving at a gig with no listening preparation), M and I attended one of this year's Folkworks Durham Gathering events on Saturday, once again a sold out event at the fabulous Old Cinema Launderette. An instant ticket purchase - after thoroughly enjoying Martin Carthy's gig at the Launderette last year, just seeing the event listing for Eliza and Co was enough. Fun guaranteed.

Eliza Carthy and Saul Rose played as a duo, preceded by Sarah Hayes. Eliza and Sarah had both been teaching at this years' Folkworks Summer School which has just finished. I found singer, flautist and storyteller Sarah's set quite interesting - overwhelmingly we have seen folk artists at the Launderette, but this was the first keyboard instrument spotted. Sarah has both classical and indie experiences but last night's set was a simple but effective slice of folk.



Eliza Carthy and Saul Rose
Eliza and Saul followed up with a song/instrumental set of high quality music, story and humour based on violin and melodeon. Lots of opportunities for singing along and toe-tapping, including this set of waltzes; favourites such as Turpin Hero, Sheffield Park and Worcester City; melodies from Québec; and a superb timely and poignant rendition of I Wish That The Wars Were All Over. Balancing tradition and innovation, I enjoyed listening to the weight and yet freshness of the material - also the aspect of fun emanating from the musicians. 

Eliza and Saul, as part of The Wayward Band, are playing the Sage Gateshead on 15th October - not yet sure how this fits in our schedule, but further information is available here.  

Comments

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...