Skip to main content

Visit to 'The Leeds' - Leeds International Piano Competition 2015

Since returning to the piano as an adult and through listening to lots of music, I have come to look forward to 'The Leeds' - the world-class Leeds International Piano Competition. The Leeds runs every 3 years, currently running for the 18th time. This year I decided to had along to one of the first round events - nicely coinciding with my birthday! Keyboard seats a must.

After lunch with a friend, M and I arrived at the Leeds University Great Hall in time to soak up a bit of atmosphere before the first competitor of the afternoon arrived on stage. Whilst all 5 competitors (in order: Drew Petersen, Rodolfo Leone, Peng Lin, Célia Oneto Bensaid and Gunyoung Hwang) were all very technically competent, it was interesting for the listening experience of hearing successive performers in the same room on the same instrument. Seated position, shoulders, feet, projection - lots of variables! Petersen had a very 'proper' posture and technique, but his pieces lacked what I can best describe as 'space' - especially compared to Leone, who had lots of 'space'. Lin lacked projection and Hwang was too forceful - not enough dynamic subtlety.

Our opinions matched on Leone and Oneto Bensaid as our favourites of the five - Leone's space and poise, plus Oneto Bensaid's clarity, power and attitude (the latter especially for her performance of Dutilleux's 'Choral et variations' from Sonata Op. 1). 

The results of the First Round have been announced, and interestingly, whilst Leone progressed to the 2nd Stage, so did Petersen - and not Oneto Bensaid.  I don't disagree with the choice of Petersen - he wasn't my (our) preferred pianist on the day but maybe he was just very nervous...

Having attended the event, I'm looking forward to hearing the results of the next round and to the broadcast events in September.  

 
Labels:

Comments

Post a Comment

Popular posts from this blog

Pigeon Funk

Notes on a very random purchase. Earlier today I acquired Venetian Snares 'Rossz Csillag Alatt Sz ü letett ' purely on the basis of the language and artwork. Its certainly something different - and most definitely not pop. After a bit of searching: Venetial Snares is, according to Wikipedia, the performing name of Aaron Funk, who seems to specialise in experimental tracks in odd time signatures. Article here . The sleeve notes for this album (whose title is Hungarian for 'Born under a bad star') poses the question: what if, for just a day, we could both be pigeons? Interessant. Apparently this concept (a day in the life of a Hungarian pigeon) is non-typical of Venetian Snares sound, but one could ask, does Mr Funk do 'typical'? On first listening, the sound of this CD mixes classical/traditional Hungarian sounds and breakbeats. but aside from that? Definitely a 'listen for yourself' artist; try the website , fan site or myspace .
4 comments
Read more

Hidden Witness

Moving house completed - for now - and we are back in the Vale of Evesham. The wonders of Facebook unearthed a live gig and St Richard's Hospice fundraiser by slow-burning band Hidden Witness so off we went for an evening out in Worcester. I honestly can't remember the last time either of us did that.... cue pleasant surprise at our venue for the evening, Keystones Cafe Bar . Quite open and spacious in terms of standing room, reasonably large stage and a bar ensconced in the remaining medieval walls - much more atmosphere than many other small bars... A busy few weeks meant I hadn't had time to check out Hidden Witness' SoundCloud page so I had fresh ears and no expectation. The support band, The Miffs , were ok, with a few engaging covers, but sadly (for my ears) nothing memorable.  After a short break -  in which the background music made me feel both young and old simultaneously - Dan, Chris, Neil and Dan took the stage for an interesting set. A few ...
2 comments
Read more

Mini update

I have finally sorted out my site links to reflect some new/renewed interests and my current location. We have something of a National Arts Centre bonanza shortly: I had already booked to see Angela Hewitt on 16th Feb but found a good ticket offer on LivingSocial.com to see Radu Lupu this coming Wednesday, 26th. In addition to all that, New Yorker music critic Alex Ross (his recent book, Listen To This , is excellent, as well as his previous tome, The Rest Is Noise ) is giving a talk there on 13th February. This is all followed in March by a complete about turn to the Bronson Centre to see Finnish band Apocalyptica . They have been somewhere on my radar for a while but I was spurred on to book tickets after a bout of nostalgia. M and I were regular visitors to Wolverhampton UK to see various bands at Civic Hall/Wulfrun Hall; a few months ago a mutual friend posted on that there Facebook thing about seeing said Apocalyptica at Wulfrun Hall. Nostalgia for the venue and renewed intere...
Post a Comment
Read more